FANDOM


Like many authors, Harry Turtledove references the broad impact musicians and their work have (or have had) on society. Sometimes, these references can give a reader insight into how a particular timeline differs from OTL. Other times, they are more incidental and designed to invoke a specific era or culture. What follows is a list of such references which can be found in Turtledove's body of work, organized by the musician, song-writer, or performer.

Note: As many homages are subtle, they can easily escape the notice of any given reader. Therefore we strongly encourage anyone who has found, or believes he has found, an homage not already on this list, or by an author not represented, to add it.

Artists

The Andrews Sisters

The Andrews Sisters were a close harmony singing group, consisting of sisters LaVerne Sophie Andrews (contralto; 1911–1967), Maxene Angelyn Andrews (soprano; 1916–1995), and Patricia Marie "Patty" Andrews (mezzo-soprano; lead; 1918-2013).

In Worldwar: Tilting the Balance, Hank Vernon suggests that he and Jens Larssen listen to the Andrews Sisters during the journey aboard the Duluth Queen. Larssen prefers to listen to news, and Vernon complies.

Louis Armstrong

In addition to his direct appearances in Southern Victory, Louis "Satchmo" Armstrong is occasionally referenced in stories with a more recent POD. In The Hot War: Fallout, minor character Freddy Cullenbine is defined primarily by his unsuccessful attempts to emulate Satchmo.

Johann Sebastian Bach

Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.

Bach is referenced several times in Turtledove's work. In the novel In the Presence of Mine Enemies, Bach is one of the composers favored by the Nazi Party well into the 21st century.[1]

In the Colonization series, German spaceman Johannes Drucker, who stays in the Hotel Elephant, Weimar, where Bach had once stayed.[2] Exiled Fleetlord Straha has little use for Tosevite music, but he does find the patterns in Bach's work interesting.[3]

The Beatles

In addition to their banned status in The Gladiator, the Beatles are referenced directly or indirectly in numerous Turtledove works.

Beatles

The Beatles, not The Beetles

In Hitler's War Turtledove opens Sergei Yaroslavsky's scene where he returned from fighting in Czechoslovakia with a rephrasing of two lines from The Beatles "Back In The USSR" taking the lines:

  • "I'm back in the USSR / You don't know how lucky you are, boy."

and changing them to reflect the casualties the Soviet Air Force suffered to read:

  • "Back in the USSR. Sergei Yaroslavsky didn't realize how lucky he was ..."[4]

In the novel Thessalonica, the character Menas kills a Slav warrior in battle with a war hammer. Turtledove describes the scene thusly: "Bang! Bang! Menas' silvered hammer came down upon his head. The Slav writhed, than lay still. Menas hit him again, to make sure he was dead". This is an allusion to the Beatles' "Maxwell's Silver Hammer", about a serial killer who beats people to death with his silver hammer.

At least two Beatles references are found in Worldwar. In Aftershocks, Hal Walsh is fond of a popular British quartet called The Beetles. POV David Goldfarb, who thinks their music is just noise, speculates that the name comes from their insectoid shaven-headed appearance. In Homeward Bound, the busty showgirl on a violent TV game show is consistently referred to as Lovely Rita, the title of another Beatles song.

In "They'd Never--", Mort Pfeiffer assigns the names George, John, Paul, and Ringo to the green aliens who have abducted him.

In "The Mammyth", the three protagonists encounter a walrus named Paul. This is a reference to the song "Glass Onion", in which John Lennon sings "Here's another clue for you all/The Walrus was Paul", which is itself a reference to the song "I am the Walrus". Lennon admitted he'd done it to poke fun at fans who were convinced Paul McCartney was secretly dead.

Ludwig van Beethoven

In addition to his alternate posthumous role in The Two Georges, Ludwig van Beethoven is briefly referenced in other works.

In In the Presence of Mine Enemies, we learn that Beethoven is one of the musicians approved by the German Reich.[5]

In The War That Came Early The Big Switch, as she contemplates the state of the world and the resistance certain musicians met from their respective governments, Peggy Druce wonders if the music of people such as Dmitri Shostakovich would outlast politics, much as Beethoven's music had.[6]

Irving Berlin

IrvingBerlin

Irving Berlin looks worried that Groucho Marx is singing one his lesser songs.

Irving Berlin (born Israel Beilin (Russian: Израиль Моисеевич Бейлин) May 23 [O.S. May 11] 1888 – September 22, 1989) was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook.

Berlin wrote an antiwar song called "Stay Down Here Where You Belong" before the United States entered World War I. The Devil tells his son to stay in Hell rather than enter the war in Europe. Groucho Marx liked to sing it, which drove Berlin crazy. Berlin even offered Marx money not to sing it, but Marx refused. In "Hail! Hail!", a fictionalized Groucho reflects on that anecdote.[7]

In Settling Accounts: The Grapple, the song "God Bless the Stars and Stripes" is sung in the 1940s by Kate Smith, who sang Berlin's "God Bless America" in the same decade in OTL. Berlin himself is not mentioned.

Berlin's Annie Get Your Gun is loosely based on the life of circus performer Annie Oakley. The number "Anything You Can Do, I Can Do Better" is parodied in "Birdwitching" when the fanaticism of the Yule Bird Count turns into an example of "Anything You Can Do, I Can Do More Of."[8]

Red Blanchard

Richard Bogardus "Red" Blanchard, Jr. (June 11, 1920 – June 16, 2011) was an American radio show personality in California markets from the mid-1940s to the mid-1960s whose shows were novelty- and comedy-oriented. He was also a musician and record producer and released a few novelty songs of his own in the early 1950s. Blanchard also added his voice to novelty songs written and performed by recording personality Nervous Norvus, and to radio commercials. In 1965 Blanchard became the technical director of the Los Angeles station KHJ-TV until he retired in 1978.

In "Hindsight," Pete Lundquist briefly talks to Michelle Gordian about Blanchard, including his popularizing of the slang term "zorch," which means strange and marvelous.[9]

Ole Bull

Ole Bornemann Bull (5 February 1810 – 17 August 1880) was a Norwegian violinist and composer, who frequently toured the United States.

In The Man With the Iron Heart, Diana McGraw sees a statue of Bull in Loring Park, Minneapolis.[10]

Aaron Copland

Aaron Copland (November 14, 1900 – December 2, 1990) was an American classical composer, composition teacher, writer, and later in his career a conductor of his own and other American music. He was instrumental in forging a distinctly American style of composition, and is often referred to as "the Dean of American Composers". In the 1960s, however, Copland turned more to simply conducting rather than composing. In the 1950s, he became more outspokenly anti-Communist after years of Communist sympathies.

Copland died in 1990 of Alzheimer's and respiratory failure.

In The War That Came Early: The Big Switch, in the aftermath of the Hess Agreement, when Britain and France align with their former enemy Germany against the Soviet Union, Peggy Druce realizes she couldn't hear the music of Dmitri Shostakovich, or Aaron Copland for that matter, without thinking "Oh, yeah. He's a Red".[11]

The Crome Syrcus

The Crome Syrcus was an American rock band of the late 1960s and early 1970s. Originally founded in 1966 in Seattle, the band quickly moved to San Francisco and gained some minor success opening for more popular acts. Most of their recorded work was produced in 1968, including their only album. They officially broke up in 1973, but they hadn't recorded in some time.

The Crome Syrcus concert is pre-empted by an attack of shoggoths in "The Fillmore Shoggoth".

Tommy Dorsey

Thomas Francis "Tommy" Dorsey, Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the Big Band era.

Dorsey is referenced in "Must and Shall". His reputation in that timeline seems to be the same as in OTL, even though history diverged 41 years before his birth.

Bob Dylan

BobDylan

In one alternate, Senators and Congressman did not heed the call, so the times were a-changed by a horror beyond their command.

Bob Dylan (born Robert Allen Zimmerman, May 24, 1941) is an American songsmith, actor, author, and winner of the 2016 Nobel Prize for Literature. While his career has undergone numerous shifts and reinventions, he probably remains best known for his earliest phase, as a folk singer of protest songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964).

In The Valley-Westside War, where the pop culture of a post-apocalyptic alternate has been stagnated ever since the Fire fell in 1967, Colonel Morris of Westside uses the phrase "Times, they are a-changing" as fighting words in response to the Valley's protest against Westside's new treaty-breaking tollgate.[12]

Sherman Edwards

JohnAdams

Sit down, John! Sit down, John! For God's sake, John, sit down!

Sherman Edwards wrote the music and lyrics for the musical comedy 1776. The book was written by Peter Stone. The play tells the story of the efforts of a small group of Founding Fathers, specifically Benjamin Franklin, Thomas Jefferson, Richard Henry Lee, and especially John Adams to convince their colleagues in the Continental Congress to declare the 13 rebellious British colonies they represent to be an independent nation, the United States of America.

In the play's first scenes, Adams is portrayed as being engaged in a lonely battle to convince a hostile Congress of the necessity of declaring independence. In the show's opening number, Adams harangues his colleagues to "Vote for Independency!" but they interrupt their debate over whether to open the windows of Liberty Hall just long enough to tell him repeatedly "For God's sake, John, sit down!"

The play is invoked in The War Between the Provinces: Advance and Retreat. Turtledove portrays a sorcerous analog of the American Civil War Battle of Franklin, at which half a dozen Confederate generals were killed in action, including a brigade commander named John Adams (no relation to President Adams). Turtledove creates a number of pun-named characters to stand in for the unfortunate rebel leaders. Adams's analog is named For Gods' Sake John, an homage to Edwards' play.

Benny Goodman

Benjamin David "Benny" Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader, known as the "King of Swing".

In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."

Goodman's bands launched the careers of many major names in jazz. During an era of segregation he also led one of the first well-known integrated jazz groups. Goodman continued to perform to nearly the end of his life, while exploring an interest in classical music.

Goodman is referenced in "Must and Shall". His reputation in that timeline seems to be the same as in OTL, even though history diverged 45 years before his birth.

George Frideric Handel

George Frideric Handel (5 March 1685 – 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios, and concerti grossi. Handel spent most of his adult life in England. His most famous work is probably The Messiah, a musical commemoration of Jesus' life.

In In the Presence of Mine Enemies, Handel is one of several composers whose work is approved of by the Nazi Party. He is also one of several composers whose work Susanna Weiss actually enjoyed despite that fact.[13]

In The Two Georges, Handel's "Water Music" plays on a phonogram in the Independence Party headquarters in Boston.[14]

Joseph Haydn

Franz Joseph Haydn (31 March 1732 – 31 May 1809) was an Austrian composer. He was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".

In the novel In the Presence of Mine Enemies, Haydn is one of several composers whose work is approved of by the Nazi Party. He is also one of several composers whose work Susanna Weiss actually enjoyed despite that fact.[15]

Janis Ian

Janis Ian (born Janis Eddy Fink; April 7, 1951) is an American singer-songwriter, columnist, and author of science fiction. One song written by her, "God and the FBI", contains the line "Stalin was a Democrat", which influenced Harry Turtledove to write "Joe Steele". She is the dedicatee of both that story and its longer novelized form.

Iosif Kobzon

Iosif Davydovich Kobzon (Ио́сиф Давы́дович Кобзо́н) (b. 11 September 1937) is an iconic Ukrainian crooner, who was acclaimed as "the official voice of the Soviet Union".

In the short work "Black Tulip", POV Sergei, a Soviet soldier, finds the screams of wounded and dying Afghani Mujahideen to be sweeter than the voice of Iosif Kobzon.

Tom Lehrer

Thomas Andrew Lehrer (born April 9, 1928) is an American musician and mathematician, best known for the pithy, humorous songs he recorded in the 1950s and 1960s.

In A World of Difference, when the American space shuttle Athena lands on Minerva and the crew confirms that it had beaten the Soviet Tsiolkovsky by several minutes, Irv Levitt paraphrases one of Tom Lehrer's songs, declaring "In Baikonur our name is cursed, When they find out we landed first!"[16]

The Loading Zone

The Loading Zone was an American rock band of the late 1960s and early 1970s. Originally founded in 1966 by Paul Fauerso, the group gained some minor success opening for more popular acts. They produced one album in 1968 which was poorly received by critics. The band disbanded 1969. However, Fauerso reformed the band that same year. They released a second LP in 1970, but again broke up in 1971.

The Loading Zone scheduled performance is pre-empted by an attack of shoggoths in "The Fillmore Shoggoth".

Robert Lopez and Jeff Marx

Robert Lopez and Jeff Marx are the composers of the musical Avenue Q. Its characters lament that as children, they were assured by their parents, and by children's television programs such as PBS's Sesame Street, that they were "special" and "could do anything"; but as adults, they have discovered to their surprise and dismay that in the real world their options are limited, and they are no more "special" than anyone else. The musical is notable for the use of puppets, animated by unconcealed puppeteers, alongside human actors. Avenue Q is nonetheless very adult, with frequent profanity, intercourse among puppets, and other themes not safe for children.

In "The Mammyth", Tundra Dawn, Cleveland, and Ptremendous Tarmigan are traveling on the subway of Metropolis. When the conductor announces they've passed Avenue Q, Cleveland starts doing something unspecified, prompting Tundra to stop, as they are in a family story. Cleveland responds he just suddenly felt like double-clicking. When they reach their stop, they are told they need to get off here. Cleveland responds he already got off. His behavior is certainly in keeping with the raunchy matter of Avenue Q.

Martin Luther

In addition to being a religious revolutionary, Martin Luther was also a prolific composer of hymns. The best known of these is arguably "Ein feste Burg ist unser Gott" (c. 1528), which has been adapted into English as "A Mighty Fortress is Our God". In The Great War, this seems to be Gordon McSweeney's favorite song. In The Valley-Westside War, the Army of the Valley has a marching song "A Mighty Fortress is Our King" (referring to King Zev of the Valley), although whether it uses Luther's melody is unclear.

Glenn Miller

Glenn miller

Boy, the way Glenn Miller played, histories that Harry made...

Alton Glenn Miller (March 1, 1904 – missing in action December 15, 1944) was an American jazz musician (trombone), arranger, composer, and bandleader in the swing era. He was one of the best-selling recording artists from 1939 to 1943, leading one of the best known "Big Bands". While he was traveling to entertain U.S. troops in France during World War II, the plane Miller was aboard disappeared in bad weather over the English Channel. No trace was ever found.

In The War That Came Early: The Big Switch, Peggy Druce listens to Glenn Miller on the radio. The music makes her happy briefly, as the Nazis hate jazz, and she hates the Nazis. [17]

Mormon Tabernacle Choir

The Mormon Tabernacle Choir (officially The Tabernacle Choir at Temple Square since October 5, 2018) is a 360-member choir. The choir is part of The Church of Jesus Christ of Latter-day Saints (LDS Church), and is based at the Salt Lake Tabernacle. The choir was founded in August 1847, one month after the Mormon pioneers entered the Salt Lake Valley. Prospective singers must be LDS Church members who are eligible for a temple recommend, be between 25 and 55 years of age at the start of choir service, and live within 100 miles of Temple Square in Salt Lake City, Utah.

In Curious Notions, the Choir seems to still be active, 140 years after the United States lost a nuclear war. Charlie Woo uses the phrase "singing like the Mormon Tabernacle Choir" as a colorful metaphor of squealing to the secret police.[18]

Wolfgang Mozart

Wolfgang Amadeus Mozart (27 January 1756 - 5 December 1791) was a prolific and influential Austrian composer of the Classical era. His more than 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music, and he is among the most enduringly popular of classical composers.

In In the Presence of Mine Enemies, Mozart is considered to be a great musician by the Nazi Party well into the 21st century.[19]

Cole Porter

Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Unlike many successful Broadway composers of the time, Porter wrote the lyrics, as well as the music, for his songs. Although disabled in horseback riding accident in 1937, Porter continued to work. Some of his best known plays are Anything Goes, Can-Can, Silk Stockings, and Kiss Me, Kate.

In The Man With the Iron Heart, Bernie Cobb contemplates the lyrics of Porter's song "Just One of Those Things," particularly the part about having gossamer wings.[20]

Elvis Presley

In addition to his banned status in The Gladiator, Elvis Presley is referenced in other Turtledove works.

In The Valley-Westside War, Elvis' "Hound Dog" has been adopted as a martial song by the Army of the Valley.[21]

In Rulers of the Darkness, Ealstan is told that "Ethelhelm has left the building," a play on the catchphrase "Elvis has left the building."[22]

Alla Pugacheva

Alla

Personally, I'd rather listen to Alla Pugacheva than dying men, but that's me.

Alla Borisovna Pugacheva (born 15 April 1949) is perhaps the best known musical performer in Russia, her career having started in 1965 (during the Soviet Union) and continuing to this day. She is the most successful Russian performer in terms of record sales and popularity.

In the short work "Black Tulip", POV character Sergei, a Soviet soldier fighting in Afghanistan, finds the screams of wounded and dying Mujahideen to be sweeter than the voice of Alla Pugacheva.

R.E.M.

R.E.M., an American rock band from Athens, Georgia, was formed in 1980 by singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry. The band's last performance was in 2011. Their 1987 hit song "It's the End of the World as We Know It (And I Feel Fine)" provided the title of Turtledove's short story "It's the End of the World As We Know It, And We Feel Fine".

In Supervolcano: Eruption, Kelly Birnbaum recalled "It's the End of the World ..." in Yellowstone National Park but didn't feel fine since she was anticipating the eruption of the supervolcano right under her at any minute.[23]

Django Reinhardt

Django Reinhardt (23 January 1910 – 16 May 1953) was a pioneering virtuoso jazz guitarist and composer. Born in Belgium of Romani ("Gypsy") descent, Reinhardt achieved his greatest fame in France in the years before and after World War II, inventing an entirely new style of jazz guitar technique (sometimes called 'hot' jazz guitar) that has since become a living musical tradition within French gypsy culture.

Reinhardt was actually able to continue to perform in France during the Nazi-occupation, despite the Nazis' disdain for both Gypsies and jazz. He continued to perform after the war, until he retired in 1951. He died of a brain hemorrhage in 1953.

In The Big Switch, in the aftermath of Hess Agreement of 1940, which sees France and Britain join with Germany against the Soviet Union, Peggy Druce wonders if the French government might decide to persecute the jazz-playing Gypsy guitarist Reinhardt as a sop to their new Nazi allies.[24]

Rodgers and Hammerstein

Composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960) were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were 34 Tony Awards, 15 Academy Awards, the Pulitzer Prize, and two Grammy Awards. Their musical theatre writing partnership has been called the greatest of the 20th century.

Musical1943-Oklahoma!-OriginalPoster-1-

A poster for Oh--Sequoyah! with the title very badly misspelled.

In the Southern Victory timeline, Oklahoma! has an analog, Oh--Sequoyah!, referenced in The Grapple. Both plays premiered on Broadway in 1943.

In Laura Frankos' "Leg Irons, the Bitch and the Wardrobe," set in a fantasy analog of Broadway, the play Away We Go includes the songs "I'm Just a Maid Who Can't Say Nay" and another song about a carriage with a tasseled trim, referencing Oklahoma!'s numbers "I'm Just a Girl Who Can't Say No" and "Surrey With a Fringe on the Top." In the same story, Prince Harrold recalls playing his own father in The King and Me, which was not appreciated by the real king. This may be a reference to the cultural criticism aimed by Siamese people at The King and I, accusing the play of grossly misrepresenting Siamese history and culture.

Rolling Stones

The Rolling Stones are a British rock band formed in London, England, in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). With changes of personnel, the band has continued in other forms to this day, although the original line-up remains the best-known version.

In The Valley-Westside War, the Stones' 1965 hit "Satisfaction" has become a martial song for the Army of the Valley.[25]

Dmitri Shostakovich

Dmitri Dmitriyevich Shostakovich (25 September 1906 – 9 August 1975) was a Soviet Russian composer and one of the most celebrated composers of the 20th century.

Shostakovich achieved fame in the Soviet Union under the patronage of Leon Trotsky's chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the Stalinist bureaucracy. His music was officially denounced twice, in 1936 and 1948, and was periodically banned. Despite this, he also received accolades and state awards and served in the Supreme Soviet of the RSFSR. Despite the official controversy, his works were popular and well received.

In The War That Came Early: The Big Switch, in the aftermath of the Hess Agreement, when Britain and France align with their former enemy Germany against the Soviet Union, Peggy Druce realizes she couldn't hear the music of Dmitri Shostakovich, or Aaron Copland for that matter, without thinking "Oh, yeah. He's a Red".[26]

Frank Sinatra

In addition to his anti-war stance role in "News From the Front", Frank Sinatra is also referenced in passing.

In Worldwar: Upsetting the Balance, Sam Yeager likens Ullhass and Ristin's reaction upon seeing Straha to a group of bobby-soxers' reaction to seeing Sinatra.[27]

In The War That Came Early: Coup d'Etat, during an idle period aboard the USS Boise, Pete McGill and Joe Orsatti discuss Sinatra after Orsatti reveals that one of his distant cousins had briefly dated one of Sinatra's distant cousins, but the relationship didn't work out. Orsatti also tells McGill that his parents are acquainted with Sinatra's parents.[28]

Stephen Sondheim

Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist known for more than a half-century of contributions to musical theatre. Sondheim has received an Academy Award, eight Tony Awards (more than any other composer, including a Special Tony Award for Lifetime Achievement in the Theatre), eight Grammy Awards, a Pulitzer Prize, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. He has been described by Frank Rich of The New York Times as "now the greatest and perhaps best-known artist in the American musical theater".

Sondheim's Sweeney Todd: The Demon Barber of Fleet Street (1979), based on a series of penny-dreadfuls from the 1840s, is about the criminal partnership of a homicidal barber and the cook who bakes the victims' bodies into pies. In Laura Frankos' "Leg Irons, the Bitch and the Wardrobe," Cammek recalls directing a brilliant but unpopular play about a demon Berber and a mad cook.

Steely Dan

The rock band Steely Dan released the single "Kid Charlemagne" in 1976. The song, written by Walter Becker and Donald Fagen, is very loosely based on the real Owsley Stanley, a chemist who came to be known for his high-quality LSD in 1960s San Francisco. While Stanley was never called "Kid Charlemagne", a character by that name with a reputation for producing high-quality LSD appears in the short work "The Fillmore Shoggoth", selling his product to the members of the band HPL.

Barnabas von Geczy

Barnabas von Geczy (4 March 1897 - 2 July 1971) was a Hungarian violinist, composer, and bandleader. Born in Budapest when Hungary was part of the Austro-Hungarian empire, he moved to Germany after World War I, where he would live for the rest of his life. In his lifetime, von Geczy was popular throughout Central Europe and even played with the Philadelphia Orchestra in the United States.

Von Geczy is rumored to have been Adolf Hitler's favorite band leader, a fact referenced in The War That Came Early: The Big Switch, when several characters listen to one of his performances on the radio.[29]

Al Stewart

Al Stewart is a Scottish singer-songwriter and folk-rock musician. In Supervolcano: Eruption, the song "Came Along Too Late" was one composed and performed by the fictional band Squirt Frog and the Evolving Tadpoles. In the "Author's Note" at the end of the volume, Turtledove mentions he wrote an earlier version of the song when his daughter Rebecca asked for songs on historical themes. He also indicated it can be sung to the tune of "Josephine Baker" on Stewart's album Last Days of the Century.[30] Further, in the novel one band member of Squirt Frog describes their music as somewhere between Frank Zappa and Al Stewart.[31]

In the introduction to the short story "Occupation Duty"[32], Turtledove quotes Al Stewart's song "Nostradamus": the more it changes, the more it stays the same. It refers to the story's theme that Palestine would still be war-torn even if the POD was 3000 years ago.

The short work "Nine Drowned Churches" features a very thinly disguised Stewart as its protagonist.

Justin Timberlake

Justin Randall Timberlake (born January 31, 1981) is an American pop singer-songwriter, record producer, dancer and actor. He has won six Grammy Awards as well as an Emmy Award.

In "Getting Real", set in 2117, only "oldsters" versed in the classics know who Justin Timberlake was.

Robin Trower

Robin Leonard Trower (born 9 March 1945) is an English rock guitarist and vocalist who achieved success with Procol Harum during the 1960s, and then again as the bandleader of his own power trio.

In "Hindsight", time-traveler Michelle Gordian plays Robin Trower's album "Caravan to Midnight" for Pete Lundquist in 1953. Lundquist's response is mixed.[33]

Giuseppe Verdi

Giuseppe Fortunino Francesco Verdi (9 or 10 October 1813 – 27 January 1901) was one of the most influential composers of Italian opera in the 19th century.

In the novel In the Presence of Mine Enemies, the works of Italians such as Verdi is seen as frivolous in the Greater German Reich. However, as Italy is an ally, listening to Verdi is not a crime against the state.[34]

Antonio Vivaldi

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741), was a Baroque music composer and Catholic priest, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice in what is now Italy. "The Four Seasons," a series of four violin concerti, is his best-known work and a highly popular Baroque piece.

In the novel In the Presence of Mine Enemies, the works of Italians such as Vivaldi is seen as frivolous in the Greater German Reich. However, as Italy is an ally, listening to Verdi is not a crime against the state.[35]

In The Two Georges, the quartet of Brassman, Campbell, Cooper, and Jorkens, is playing Vivaldi in the Upper California Governor's Mansion on the evening The Two Georges is stolen.[36]

Richard Wagner

RichardWagner

Richard Wagner: Only the Nazis appreciate my work in Turtledove stories? And even then, not all of them either? Well Turtledove can **** **** **** ****!

Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, conductor, theater director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.

Wagner expressed extensive racist sentiments in his life. He wrote several tracts denouncing the influence of Jews on German music. A half-century after his death, the German Nazi Party appropriated Wagner's music, due in part to his simultaneous German nationalism and implied anti-Semitism. Due to Wagner's posthumous Nazi connections, there was a semi-official ban on his music in the State of Israel during that nation's early history.

Wagner drew on the epic poem, the Nibelungenlied, when he composed his own magnum opus, Der Ring des Nibelungen. Turtledove also makes use of characters and settings from Nibelungenlied in "The Catcher in the Rhine," although whether or not he was going from the original poem or Wagner's later work is probably academic. It is also very obliquely referred to by Pete McGill in The War That Came Early: Coup d'Etat.

In the Southern Victory novel American Front, Confederate art afficcionado Alfred Forbes derisively dismisses the idea that the United States could be capable of any real cultural refinement. He suggests that the only foreign art that Americans import is German opera, and proceeds to give a decidedly un-complimentary stereotype of a generic scene from Der Ring des Nibelungen.

In In the Presence of Mine Enemies, we finally encounter someone who remembers Wagner fondly: the Nazis. Wagner is held up as an example of an Aryan creative cultural force, and is celebrated in official cultural circles.

A great deal of Wagner bashing goes on in The War That Came Early. In West and East, Peggy Druce and Constantine Jenkins attend a performance of Wagner's Tannhäuser. Like non-Nazis in other Turtledove works, they are unimpressed by Wagner, but find this particular opera relatively inoffensive. Then, in The Big Switch, Willi Dernen expresses disapproval of Wagner to himself, though he does not do so publicly for fear of political consequences. In Coup d'Etat, appreciation of the beauty of some of Wagner's compositions, including Tristan und Isolde, is expressed--by Jewish characters, of all people!

Also, when Kelly Birnbaum (Jewish as well) is awaiting a desperate helicopter rescue in Yellowstone National Park before the supervolcano can erupt, she thinks of Wagner's "The Ride of the Valkyries" from Apocalypse Now! and is half disappointed when she didn't hear his "fierce, churning music" play in real life.[37]

Frank Zappa

Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, orchestral and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist.

In Supervolcano: Eruption, the music of Squirt Frog and the Evolving Tadpoles is likened to a cross between Frank Zappa and Al Stewart.[38]

Compositions

"Der Führer's Face"

During the Race Invasion of Tosev 3, Spike Jones recorded "The Fleetlord's Face", a humorous swipe at Fleetlord Atvar. This is an analog of Jones' 1942 satirical song "Der Führer's Face".

"Heigh-Ho"

"Heigh-Ho" is a song from Walt Disney's 1937 animated film Snow White and the Seven Dwarfs, written by Frank Churchill (music) and Larry Morey (lyrics). It is sung by the group of seven dwarfs as they work at a mine with diamonds and rubies, and is one of the best-known songs in the film. In Bombs Away, when Gustav Hozzel and Rolf Mehlen are escaping a burning building via a tunnel in the basement to another building, Rolf begins whistling the tune from "Heigh-Ho". This initially puzzles Gustav but he realizes the tunnel was much like the mine of the dwarfs in the film and digging it had been dwarf like work.[39]

Kiss Me, Kate

Kiss Me, Kate is a musical play featuring Cole Porter songs. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi.

In Turtledove's "Father of the Groom", at the wedding of Archimedes Kidder and Kate, after the vows and before the minister can say anything else, Archimedes says "Kiss me, Kate!". She does so without understanding the reference which would be to either this musical or a direct quote of a line in Shakespeare's Shrew.[40]

Mexican Hayride

Mexican Hayride is a 1944 Broadway musical with a script by Herbert & Dorothy Fields, and songs by Cole Porter. In the Southern Victory universe, there is a 1943 play called Jose's Hayride, which is not described in any detail, but would seem to be an analog of this play.

Mary Poppins

Mary Poppins is a 1964 musical motion picture about an English nanny with magical powers, adapted by Walt Disney Studios from a novel by Australian author Pamela L. Travers. Brothers Richard & Robert Sherman wrote the songs. In The Gladiator, Eduardo Caruso tells Annarita Crosetti and Gianfranco Mazzilli that a popular song in the home timeline contains the line "a spoonful of sugar makes the medicine go down."

The Producers

The Producers is a musical adapted by Mel Brooks from his 1968 film of the same name. The story concerns two theatrical producers who scheme to get rich by overselling interests in a bad Broadway play, assured to be a flop, called Springtime for Hitler. In Turtledove's In the Presence of Mine Enemies where Germany won WWII, there is a similar musical about a theatre owner who booked a terrible play about Churchill and Stalin becoming a smash hit against the producer's plans.[41]

Sir Patrick Spens

Sir Patrick Spens is an anonymous ballad about a ship which sinks en route from Scotland to Norway. In Ruled Britannia, William Shakespeare compares his lack of progress in writing Love's Labours Won to the sinking ship in the song.[42]

"Werewolves of London"

"Werewolves of London" is a rock song composed by LeRoy Marinell, Waddy Wachtel, and Warren Zevon and performed by Zevon, and included on Zevon's 1978 album Excitable Boy. The song's lyrics are a random jumble that alternate between describing werewolves engaging in stereotypical murders and other werewolves doing innocuous things like going to a Chinese restaurant or drinking at Trader Vic's.

The short story "Three Men and a Werewolf" describes Jerome K. Jerome's famous "Three Men" meeting a werewolf named Warren Z. Wolfe, a character named in honor of Warren Zevon. Moreover, the story bases its several of its plot points and characters on the lyrics of "Werewolves of London".

Miscellanea

Madonna and Britney Spears Kiss

At the 2003 MTV Music Video Awards, singers Madonna (b. 1958) and Britney Spears (b. 1981) shared a prolonged kiss on stage. Images of that kiss gained substantial notoriety for a time.

In the short story "Bedfellows", when O and W kiss for the first time after they are married, an onlooker asks "Is that hotter than Madonna and Britney or what?"[43]

References

  1. In the Presence of Mine Enemies, pg. 243.
  2. Down to Earth, p. 96.
  3. Second Contact, pg. 241.
  4. Hitler's War, pg 91.
  5. In the Presence of Mine Enemies, pg. 243.
  6. The Big Switch, pg. 345.
  7. "Hail! Hail!" loc. 739, ebook.
  8. Birdwitching, p. 133.
  9. Kaleidoscope, pg. 123-124, MPB.
  10. The Man With the Iron Heart, pg. 282.
  11. The Big Switch, pg. 345.
  12. The Valley-Westside War, p. 9.
  13. In the Presence of Mine Enemies, pg. 243.
  14. The Two Georges, p. 235.
  15. In the Presence of Mine Enemies, pg. 243.
  16. A World of Difference, p. 34.
  17. The Big Switch, pg. 344
  18. Curious Notions, p. 71-72.
  19. In the Presence of Mine Enemies, pg. 243.
  20. The Man With the Iron Heart, pg. 303.
  21. The Valley-Westside War, p. 37.
  22. Rulers of the Darkness, p. 237, HC.
  23. Eruption, pg. 144, HC.
  24. The Big Switch, pg. 345.
  25. The Valley-Westside War, p. 37.
  26. The Big Switch, pg. 345.
  27. Upsetting the Balance, pg. 84, PB.
  28. Coup d'Etat, pg. 410, HC.
  29. The Big Switch ch 7
  30. Eruption, pg 420, HC.
  31. Ibid, pg. 31.
  32. See, e.g.Atlantis and Other Places pg. 243.
  33. See, e.g., Kaleidoscope, pg. 123-124, MPB.
  34. In the Presence of Mine Enemies, pg. 243.
  35. In the Presence of Mine Enemies, pg. 243.
  36. The Two Georges, chapter 1.
  37. Eruption, pg. 146.
  38. Eruption, pg. 31.
  39. Bombs Away, pg. 415, HC.
  40. See, e.g., We Install and Other Stories, loc. 185-196, ebook.
  41. In the Presence of Mine Enemies, pg. 139.
  42. Ruled Britannia, p. 76.
  43. See, e.g., Atlantis and Other Places, HC pg. 71.