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Jacques-Louis David
JacquesLouisDavid
Historical Figure
Nationality: France
Date of Birth: 1748
Date of Death: 1825
Cause of Death: Struck by a carriage
Religion: Catholicism
Occupation: Artist, educator, politician, Revolutionary
Spouse: Marguerite Charlotte Pecoul (divorced 1793, remarried 1796)
Children: Four
Turtledove Appearances:
Atlantis
POD: c 85,000,000 BCE;
Relevant POD: 1452
Appearance(s): "Audubon in Atlantis"
Type of Appearance: Posthumous(?) reference
Jacques-Louis David (30 August 1748 – 29 December 1825) was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward a classical austerity and severity, heightened feeling harmonising with the moral climate of the final years of the Ancien Régime.

David later became an active supporter of the French Revolution and friend of Maximilien Robespierre, and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's violent death, he later aligned himself with Napoleon Bonaparte. At this time he developed his Empire style, notable for its use of warm Venetian colours. After Napoleon's fall from power and the Bourbon revival, David exiled himself to Brussels, Netherlands, where he remained until his death. David had a large number of pupils, making him the strongest influence in French art of the early 19th century, especially academic Salon painting.

Jacques-Louis David in AtlantisEdit

The young John Audubon studied painting with Jacques-Louis David in France, making figure drawings from a mannequin. Although his first attempt to create a bird mannequin from wood, cork, and wire failed, Audubon soon realized that wires could still be used to position dead birds in lifelike poses, and this system served him throughout his career.[1]

Literary commentEdit

Audubon never studied with David in OTL, although Audubon did claim that he did throughout his life.

ReferencesEdit

  1. Atlantis and Other Places, p. 31.

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